SUMMARY: S.T. Gill accompanied John Ainsworth Horrocks' small expedition from July to September 1846. This article focusses on Gill's artistic work on the expedition, rather than his exhibition works after returning.
Article type: NARRATIVE & CATALOGUE
In this article ...
John Ainsworth Horrocks (1818 – 1846) led a small expedition in 1846 intending to push European exploration to the northwest of the head of Spencer's Gulf. S.T. Gill was one of the expeditioners, as accompanying artist.
Gill accompanied Horrocks' expedition from July to September 1846. This article doesn't retell the expedition, but instead focusses on Gill's artistic effort during the expedition.
Horrocks kept a journal from when his party started from Penwortham village on 29 July and up to 27 August 1846. He was fatally wounded on 1 September in a firearms handling accident. See John Ainsworth Horrocks' 1846 Expedition Journal.
A section of Gill's journal – 8 August to 24 September – was published as Progress Of Discovery – Expedition To The North-West in the South Australian Gazette and Colonial Register on 10 October 1846. Gill's was the only journal publicly available immediately after the expedition (and he changed a little of the narrative).
Most of the expedition scenes that are familiar to us are Gill's fine watercolours completed after returning; they were done in preparation for a raffle and 1847 exhibition.
For more on the journals and these pictures, see the earlier article: S.T. Gill's Horrocks Expedition Pictures 1846-1847.
This article focusses on Gill's artistic work actually on the expedition, rather then his exhibition works after returning.
The map shows the approximate route of the Horrocks expedition, includes extracts from Horrocks' and Gill's journals and locates Gill's main pictures. The map opens in a new window.
The evening before departing Adelaide Gill gave a supper for his friends, a subject itself of some artistic historical curiosity. (See ← Narrative.)
The expedition members left Adelaide on the morning of Saturday 11 July – at least those who were in town and not already at Horrocks' property of Penwortham.
The expedition under the command of Mr Horrocks, the object of which is to explore the hitherto unknown country north-west of the ranges of Mount Arden, started from Adelaide on Saturday morning last. ... Mr Horrocks has taken with him rations for five months, and is accompanied by Mr Theakstone the friend and fellow-traveller of the late Mr Darke; Mr Gill the Artist; Martin Mann, a veteran soldier, late of the 96th; an aboriginal native who has been sometime in Mr Horrock's service; a man, named Bernard Koling; and last, not least, the camel (not par excellence, being the only one in the colony), but the one of which Mr Horrocks is esteemed the distinguished possessor by the wondering natives, and which will doubtless prove a valuable appendage.1
The departees went as far as Horrocks' property, Penwortham, where they prepared for the expedition proper, eventually leaving there on 29 July.
This gave Gill opportunity of a fortnight in which to sketch. Two pictures in particular seem to originate from this residency and were later exhibited by Gill in February 1847:
Neither of these pictures are known to be extant. (They may have belonged to the Horrocks family in England.)
Following Horrocks death on 23 September 1846 and funeral Gill found himself somewhere "in the country" to finish fine watercolours from the sketches he made on the expedition.
Mr Gill is at present in the country, completing the sketches made during the expedition – with the view, we hope, of submitting them to the public when finished.2
Although we have these finely finished watercolours, what of Gill's original sketches on the expedition?
Gill's finished expedition pictures show himself with:
His large format sketch book or books are not known to be extant.
AGSA has three roughly worked watercolours on heavier paper (AGSA 0.1542, 0.1543, 0.1544; all provenance: Levinson, Mrs E.S. 1954) having a yellower colour palette than Gill's final expedition works. Their lack of refinement and lack of expedition members are clues these three may have been original expedition watercolour sketches.
It's possible Gill reused some of his paper. On the back of Halt on stoney plain, August 31st | AGSA 997P38 is a preliminary pencil outline of Horrocks and Gill for Return of invalid / Sept. 5th | AGSA 0.1127.
There is just a little evidence that we may have a few works Gill made on the expedition itself.
To see these works, with accompanying notes, just scroll down or jump to the List of Works.
Scroll down to see all pictures along with detailed notes or click a link to jump to a specific work from the list.
Stony Creek from the Top of the Waterfall | Art Gallery of South Australia 0.1542
Artist: Gill, S.T. | Date: 1846-08/1846-09~ | Appleyard cat. 88 | 27.5(H) x 40.2(W) cm
Catalogue: S.T. Gill on the Horrocks Expedition 1846
This is one of three roughly worked watercolours on heavier paper (AGSA 0.1542, 0.1543, 0.1544; all provenance: Levinson, Mrs E.S. 1954) having a yellower colour palette than Gill's final expedition works, suggesting these three may be original expedition field sketches.
Like AGSA 758HP14 (284). Possibly Stoney Creek returning 1846-09-12
283
Spencer Gulf from the Top of Flinders Range | Art Gallery of South Australia 0.1543
Artist: Gill, S.T. | Date: 1846-08/1846-09~ | Appleyard cat. 86 | 26.8(H) x 39.7(W) cm
Catalogue: S.T. Gill on the Horrocks Expedition 1846
Reverse inscription: ["J R/s"? underlined] Spencers Gulf ... from summit of Flinders ranges - looking over Stoney Creek.
Possibly February 1847 exhibition no. 99 "Spencer's Gulf, from Flinder's [sic] Range" or no. 106 "Sketch from summit Flinder's Range E.N.E.".
This is one of three roughly worked watercolours on heavier paper (AGSA 0.1542, 0.1543, 0.1544; all provenance: Levinson, Mrs E.S. 1954) having a yellower colour palette than Gill's final expedition works, suggesting these three may be original expedition field sketches.
281
Great Fall, Stony Creek | Art Gallery of South Australia 0.1544
Artist: Gill, S.T. | Date: 1846-08/1846-09~ | Appleyard cat. 87 | 25.2(H) x 37.8(W) cm
Catalogue: S.T. Gill on the Horrocks Expedition 1846
This is one of three roughly worked watercolours on heavier paper (AGSA 0.1542, 0.1543, 0.1544; all provenance: Levinson, Mrs E.S. 1954) having a yellower colour palette than Gill's final expedition works, suggesting these three may be original expedition field sketches.
The waterfalls look awkwardly executed.
Possibly Stoney Creek 1846-09-12. This compares with "Stoney Creek Falls" by R E Minchin <https://collections.slsa.sa.gov.au/resource/PRG+119/28/6>.
282
Near Mount Arden, Flinders Range, South Australia | Art Gallery of South Australia 8113HP94
Artist: Gill, S.T. | Date: 1846-09/1847-01~ | Appleyard cat. 100 | 16.8(H) x 21.6(W) cm
Catalogue: S.T. Gill on the Horrocks Expedition 1846
Inscribed front: "Near Mount Arden, Flinders Range, South Australia". Inscribed reverse: "Looking E.S.E. from F. Range near Mt. Arden / Sept. 7th 1846".
On 6 September 1846 the expedition returned to Depot Creek with the injured Horrocks. On 9th Gill "went to the top of the range sketching". This picture lacks Gill's usual expeditioners and animal life - perhaps so intended after Horrocks' fatal accident.
This could correspond with 1847 exhibit no. 105 "Sketch from summit Flinder's Range E." or no. 106 "Sketch from summit Flinder's Range E.N.E."
The reverse bears a stamp: The Royal Colonial Institute. Received 11 Feb 1911.
295
Flinders Range, near Mount Brown, South Australia, looking east-south-east | Art Gallery of South Australia 8113HP95
Artist: Gill, S.T. | Date: 1846-08/1847-01~ | Appleyard cat. 102
Catalogue: S.T. Gill on the Horrocks Expedition 1846
Appleyard records a reverse caption: "Looking E.S.E. 2 miles South of Mt. Brown _ Flinders R_ Sept 16th 184_." He also concludes the date is incorrect with Gill being further south by then. Appleyard accepted Grandison's hypothesis of a seond painting visit around 1848 but it's unecessary.
297
Charlton Station near Mount Remarkable, South Australia | National Library of Australia box D1 #PIC/6460
Artist: Gill, S.T. | Date: 1848 | Appleyard cat. n/a | 30.8(H) x 51.3(W) cm
Catalogue: S.T. Gill - 1848
The Horrocks expedition visited White's Station over several days and had assistance from Messrs White. Gill diarised: "Saturday, 15th [August 1846] ... In the afternoon Kilroy arrived from Mr White's with a pair of arms for the dray, bringing Kelly, the black, and lubra to take back some tools kindly lent by Mr Campbell. I finished a drawing of his station to send back as something in return for his favors."
Gill dated this painting 1848 in the signature, so it's neither an original field sketch nor one of the 33 immediate post expedition series. But could it be a second version of Gill's August 1846 drawing?
White's Station was so identified on earlier maps, including E.C. Frome's 1844 map. A run was recorded with Crown Lands in November 1845: "Saml. & Fred. White - S.S.E. from Mount Remarkable".
A reverse inscription identifies this as "Charlton Station Nr Mount Remarkable" - the property of the White family. "Charlton" was Messrs White's head station and referenced as such in newspapers from 1850s. So the "Charlton" title appears to be less contemporary with the painting than does "White's".
Horizon (left) appears to show Mount Remarkable - the shape of which is seen in R.E. Minchin's work SLSA PRG 119/28/5 <https://collections.slsa.sa.gov.au/resource/PRG+119/28/5>.
Map | S. T. Gill and Horrocks expedition 1846
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David Coombe. 2025. Original 18 July 2025 | text copyright (except where indicated)
CITE THIS: David Coombe, 2025, S.T. Gill on the Horrocks Expedition 1846, accessed dd mmm yyyy, <http://coombe.id.au/S_T_Gill/S_T_Gill_on_Horrocks_Expedition_1846.htm>