A list of 33 narrative articles (web pages) for the S T Gill project in chronological order. (This includes 1840s South Australia articles.)
Some articles include links to move forward and backward in the narrative. For those that don't, this list is a useful contextual reference.
S.T. Gill - An Early Narrative, 1839 to 1842S T Gill's life and times in South Australia, 1839 to 1842. A narrative, with familial, economic and art scene context for Gill's early years. Highlighting Gill's clients and connections such as John Horrocks, Governor Gawler and posted army officers.
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Narrative
S.T. Gill - Narrative, 1843 to 1844S. T. Gill - his life and times in South Australia, 1843 to 1844. The James Allen connection. The coming of copper and George French Angas.
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Narrative
S.T. Gill's Set of South Australian Scenes - Bennett1844~. Set of 8 wash drawings of South Australian scenes - natural, Aboriginal, rural and the built environment, corresponding with subjects in J.F. Bennett's book. Plus other related works.
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Catalogue, Narrative
S.T. Gill and John Napier MagillLieutenant John Napier Magill (1819-1848), 96th Regiment, posted to South Australia 1842-1846. Magill was a flautist and artist, painting views of Flinders Street barracks. Gill watercolours for Magill and Captain W.D. Chard.
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Catalogue, Narrative, Analysis
S.T. Gill at Angas' Barossa 1844S. T. Gill was in the Barossa sketching for the Angas family from 29 October to 4 November 1844. I identify some works as well as influences on Angas publications 'South Australia Illustrated' and 'Barossa Range and its neighbourhood'.
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Catalogue, Narrative, Analysis
S.T. Gill, E.J. Eyre, Symmetry 1844On 16 December 1844 explorer Edward John Eyre departs Adelaide on the barque 'Symmetry' for England, taking with him paintings by Gill.
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Catalogue, Narrative
S.T. Gill - Subject - Native SepulchreGill portrayed the Aboriginal elevated mortuary platform in his 'Native Sepulchre' images. Also included are works by E.C. Frome, G.F. Angas and W.A. Cawthorne. Date range: 1840 to 1870s.
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Subject
F.R. Nixon's Twelve Views, &c., 1845January - June 1845. F.R. Nixon - a somewhat mischievous artist - etched and printed 12 Views of Adelaide in 1845, priced 21 shillings. A few months later, when controversy erupted, James Allen said they weren't worth 3 farthings!
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Narrative
S.T. Gill and W.A. CawthorneWA Cawthorne (1824-1897): school teacher, amateur artist, documenter of Aboriginal culture. George French Angas' 'South Australia Illustrated'. The relationship with Gill, his art master from February 1845.
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Catalogue, Narrative, Analysis
S.T. Gill and George French Angas, 1844-18451844-45. George French Angas made a splash in South Australia in two visits (interrupted by a trip to New Zealand). He left on 2 July 1845, a fortnight after his art exhibition and its associated controversy.
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Catalogue, Narrative, Analysis
S.T. Gill and James Allen, 1845September-November 1845. Series of watercolours and wash drawings commissioned by James Allen for his 1846 promotional lecture tour of England.
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Catalogue, Narrative, Analysis
S.T. Gill, November 1845 to June 1846After the commission for James Allen and South Australian Company, in November 1845 Gill briefly trialled Daguerreotype (photography). Little is known about what he did next, up until the time he left on Horrocks' expedition in July 1846.
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Catalogue, Narrative, Analysis
Daguerreotype and Early PhotographyDaguerreotype and early photography in 1840s South Australia: William Little, Robert Hall, Robert Norman, S T Gill, George Heseltine and G B Goodman. Captain Lucas of the French 'Oriental-Hydrographe' expedition and D N Joubert.
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Narrative
S.T. Gill on the Horrocks Expedition 1846S.T. Gill accompanied John Ainsworth Horrocks' small expedition from July to September 1846. This article focusses on Gill's artistic work on the expedition, rather than his exhibition works after returning.
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Catalogue, Narrative
S.T. Gill's Horrocks Expedition Pictures 1846-1847September 1846 to January 1847. Gill develops his series of 33 works of the Horrocks' expedition, raffled and shown at the February 1847 Exhibition of Pictures.
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Catalogue, Narrative, Analysis
S.T. Gill - 1847An overarching outline of 1847 with links to catalogue articles on Gill's major efforts that year. This article also includes 1847 works not catalogued elsewhere.
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Catalogue, Narrative
S.T. Gill - 1847 Exhibition of Pictures'An Exhibition of Pictures, principally the work of Colonial Artists' ran over a week from Thursday 11 February 1847 and showed 178 pictures. Gill was the most prolific exhibitor with 62 entries, including his 33 work Horrocks series.
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Catalogue, Narrative, Analysis
S.T. Gill and George Hamilton's Breeches1846/February 1847. Five vignettes showing activities of Aboriginal people. For George Hamilton who over-painted two of the pictures. Extensive reverse notes transcribed.
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Catalogue, Narrative, Analysis
S.T. Gill and Sturt's 'Narrative'February-April 1847. To illustrate Charles Sturt's book 'Narrative of an Expedition into Central Australia ...'. Watercolours (known and unknown) by Gill.
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Catalogue, Narrative, Analysis
S.T. Gill and Burra Burra Mine 1847In April 1847 S.T. Gill sketched the Burra Burra Mine and its township Kooringa on behalf of the South Australian Mining Association (SAMA). He made a set of seven views. Several SAMA proprietors ordered copy sets.
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Catalogue, Narrative
S.T. Gill's The Seasons and The MonthsWinter 1847. 'The Seasons and The Months'. A series originally of 16 pictures commissioned by Lieutenant John Roe. 'July' is missing. Key to redating Gill's work.
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Catalogue, Narrative
S.T. Gill - 18481848. Second exhibition of artists. Economic depression in Britain impacted Gill's moneyed clients. But year end heralded a broader market for Gill's works with the arrival in Adelaide of lithographers Penman and Co.
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Catalogue, Narrative, Analysis
S.T. Gill, September 1849 to February 1850September 1849 - February 1850. Fetes and house paintings. Gill embraced lithography and its larger market, whilst continuing watercolours for clients.
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Catalogue, Narrative
S.T. Gill and Burra Burra Mine 1850In February 1850 S.T. Gill returned to the Burra Burra Mine and its township Kooringa to refresh images for the South Australian Mining Association (SAMA). Featured: Patent Copper Company's smelting works and Roach's engine-house.
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Catalogue, Narrative
S.T. Gill, March 1850 to March 1851March 1850 to March 1851. Changing fortunes. Prospect House; Gill's Newfoundland dog; competition from oil painters; portraits from Daguerreotypes; Gill's hand injury; financial pressure; William Vansittart's horse portraits.
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Catalogue, Narrative
S.T. Gill, May to December 1851Gold became the topic of interest in May 1851. Gill insolvent. Series of 3 lithographs of Adelaide's main streets, suggest the view was to the east and gold. Horse portraits. Angas paints NSW diggings.
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Catalogue, Narrative
S.T. Gill to Victoria and the Diggings, 1852S.T. Gill left South Australia for the Victorian gold rush. This article evaluates evidence for his passage and concludes he likely left with others of a cultural bent aboard 'Anna Dixon', February 1852.
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Narrative, Analysis
S.T. Gill at the Victorian Diggings, 1852S.T. Gill was at the Diggings in June and July 1852, judging by dated works and a newspaper report. He sought a lithographic partnership. There may be only one field sketch extant.
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Catalogue, Narrative, Analysis
S.T. Gill - Victoria Gold Diggings and Diggers 1852In Melbourne Gill completed two series of 24 monochrome diggings lithographs in August and October 1852. George French Angas visits! Large watercolours of Forest Creek and Bendigo. Large coloured lithograph of Forest Creek, March 1853.
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Catalogue, Narrative
George French Angas - Victorian Diggings, 1852The weight of evidence is against Angas' presence at the Victorian diggings. He visited Gill in Melbourne in August 1852 and again used Gill's pictures for his own publication. This further cements the role of Gill as a ghost artist for Angas.
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Catalogue, Narrative, Analysis